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The sophomore album from Isle of Wight sibling duo, 2015's beautifully showcases the group's thoughtful, melodic mix of folk and indie pop. Once again relying on the songwriting talents of brothers and, finds picking up the musical threads begun with their 2014 debut,. As with that album, is full of the brothers' harmony-driven compositions, which bring to mind the literate '60s acoustic style of ('Roll Me Out'), as well as soulful, sophisti-folk '80s groups like ('3,000 Miles'). Also fits nicely alongside the works of such similarly inclined contemporaries and. Whereas was recorded in a Victorian-era water tower-turned-recording studio on the Isle of Wight, though, relocated to London for to work with French producer. Having previously helmed productions for such non-folk leaning artists as and, might not appear at first as a good fit for ' specific brand of ruminative, delicate pop. That said, the choice works and has helped craft a companion piece to that frames ' lyrical, acoustic style with judicious bits of electronica, fuzzy keyboards, and echoey percussion.

The production works especially well on cuts like 'Sophia' and 'Running,' where 's approach lends buoyancy to 's cherubic lead vocal croon. Elsewhere, deliver a handful of cinematic anthems, including 'Desire' and 'The Balfron Tower,' which, much like the duo's island home, are at once breezy and haunting.

The sophomore album from Isle of Wight sibling duo, 2015's beautifully showcases the group's thoughtful, melodic mix of folk and indie pop. Once again relying on the songwriting talents of brothers and, finds picking up the musical threads begun with their 2014 debut,. As with that album, is full of the brothers' harmony-driven compositions, which bring to mind the literate '60s acoustic style of ('Roll Me Out'), as well as soulful, sophisti-folk '80s groups like ('3,000 Miles').

Also fits nicely alongside the works of such similarly inclined contemporaries and. Whereas was recorded in a Victorian-era water tower-turned-recording studio on the Isle of Wight, though, relocated to London for to work with French producer. Lotus Organizer Ita Google. Having previously helmed productions for such non-folk leaning artists as and, might not appear at first as a good fit for ' specific brand of ruminative, delicate pop. That said, the choice works and has helped craft a companion piece to that frames ' lyrical, acoustic style with judicious bits of electronica, fuzzy keyboards, and echoey percussion. The production works especially well on cuts like 'Sophia' and 'Running,' where 's approach lends buoyancy to 's cherubic lead vocal croon. Elsewhere, deliver a handful of cinematic anthems, including 'Desire' and 'The Balfron Tower,' which, much like the duo's island home, are at once breezy and haunting.